You read it here first! The mysterious villain from Solo: A Star Wars Story known as Enfys Nest is Empty Nest star David Leisure!
I cohost a movie remake podcast called Ideal Remake. I have strong opinions about remakes. I have even stronger opinions about Jesus Chris Superstar. My opinions are bubbling over about this John Legend Jesus Christ Superstar Live remake.
I grew up with the 1973 movie version of Jesus Christ Superstar and probably saw it at least once a year since the late 70s when my family bought our first VCR. I’ve listened to the album hundreds of times. I saw it live with Ted Neeley still playing Jesus and got to hang out with him after the show. That experience felt like the closest thing I can imagine meeting the real Jesus would have been. Neeley was kind, present and encouraging. Read the rest of this entry
Last night I was part of the Comedy Rumble judging team at Cellarmans. 30 Comedians enter, 1 leaves with the belt…or…half the door actually.
The last time I judged, I knew two of the comedians before the event started. This time I knew about a third of them. Each performer was given two minutes to crush it. A handful of them bailed with thirty or more seconds to spare. The rest, crushed it, with five advancing to the finals. The championship could have gone to any of the five strong contenders. Read the rest of this entry
The Oscar nominations are getting announced today. Earlier I listed my favorite movies of 2017. This isn’t a list of Oscar predictions. I’m terrible at those. This is a list of who I think should win each of the categories.
Even though I did see about 80 movies this year, some categories are omitted because I didn’t see enough of the nominations to weigh in on them. For example, I really wish I had caught more of the animated films.
Best Costume Design – Wonder Woman
- No other costumes have been spoken and written about more this year. It’s serendipitous that a movie praised for it’s less revealing take on a character came out as Professor Marston and the Women, a movie about how the character was originally created as a fetish piece.
Best Visual Effects – Okja
- The end sequence. That’s all I want to say without spoiling anything. My heart melts and breaks for a giant mutant pig that’s ultimately just a series of ones and zeroes on a computer.
Best Sound Mixing – Matthew Wood (Star Wars: The Last Jedi)
Best Sound Editing – Matthew Wood (Star Wars: The Last Jedi)
- I’m putting these both together because honestly I don’t understand the category enough to know why they’re two separate categories. The moment of silence near the end was so unique that AMC theaters had to put up a sign to let viewers know it was intentional. Brilliant and daring!
Best Makeup/Hairstyling – The Shape of Water
- The fact that makeup was used instead of CG for the creature in The Shape of Water, and he looks simply amazing, makes this a no-brainer for me. Unless of course, this isn’t what qualifies as hair and makeup. If that’s the case, then I, Tonya did an excellent job of capturing an authentic 80s/90s look without being a parody. It looks genuine.
Best Supporting Actress – Laurie Metcalf (Lady Bird)
- I already wrote about how captivating her performance is in this when I listed my favorite movies of 2017. She is electrifying.
Best Supporting Actor – Rob Morgan (Mudbound)
- There is so much emotion being communicated with his eyes every second he’s on screen. His performance is a master class in understated acting.
Best Actress – Sally Hawkins (The Shape of Water)
- Hawkins’ wordless performance is simply brilliant. Like Morgan, on the surface it’s small, but there is just so much depth.
Best Actor – Willem Dafoe (The Florida Project)
- He’s the favorite to win Supporting Actor, but really Dafoe leads this movie. He disappears completely into his role without the aid of expensive prosthetics or anything other than sunglasses and a tan.
Best Original Screenplay – Get Out
- A perfect script. What more needs to be said? There are so many subtle jokes and hints throughout. There isn’t a wasted word on that page.
Best Adapted Screenplay – Mudbound
- This was a powerful story that I’ve never seen on screen before. Every single character is a fully fleshed out human being. It’s a shame Netflix didn’t put this in more theaters.
Best Director – Edgar Wright (Baby Driver)
- That opening sequence to get coffee alone is the most visually and technically amazing few minutes of cinema all year…no…this decade!
Best Foreign Language Film – Raw
- It’s the only foreign language film I’ve seen, but it’s the best changing of a protagonist into an antagonist since Breaking Bad. I still wanted to list it because I do think it’s a film people should see.
Best Original Song – This is Me (Greatest Showman)
- I listened to an episode of the Song Exploder podcast where the composers talked about how songs in musicals are “verb songs” because they move a story along and pop songs are traditionally “adjective songs” because they make you feel a certain way. Like their songs on La La Land, they manage to combine the two masterfully here.
Best Cinematography – Barry Ackroyd (Detroit)
- I don’t love Detroit. In fact, I really disliked it, but you can’t discount the cinematography that really trapped you in the hotel with those victims. Apparently he had small cameras hidden on the set so the actors weren’t even aware of them when doing takes. It was such a visceral experience for a middle class white guy to feel.
Best Editing – Lee Smith (Dunkirk)
- George Lucas talks about how hard it was to edit the Jabba’s Sail Barge scene because you had multiple action beats happening at the same time. Dunkirk does a great job of hopping between the multiple stories in a way that movies the movie along pretty quickly too.
Best Documentary – Casting Jon Benet
- I am endlessly fascinated by show business both large and small. This really reminded me of the delusional extras I’d encounter on many, many sets. Kingdom of Us is the best 2017 documentary I saw, but unfortunately it isn’t eligible for an Oscar because it went straight to Netflix.
Best Production Design – Blade Runner 2049
- Blade Runner 2049 really opened up the world from the original movie in a way that was both completely original and tonally true to the source material.
Best Score – A Ghost Story
- Baby Driver’s soundtrack was, for me, the best use of making the music of a film as important as any of the visual elements, but since that soundtrack was largely pop songs, I don’t think it qualifies. I just watched the mostly silent A Ghost Story and the score of that, by John Congleton, carries that film. It was beautiful.
Best Picture – Get Out
- This is a film I believe will be studied for years to come because it is absolutely perfect. It’s the movie that I think people will look back on to represent film in 2017.
The following is my list of my favorite movies of 2017. I’m not saying I think they were the best movies of 2017. Arguably Dunkirk is a finely crafted piece of film, but with only a couple of the characters being named on screen, it just didn’t connect to me emotionally. I’m sure Phantom Thread is fabulous as well, but I have zero interest in it.
Get Out – It was the first movie I saw this year, and it’s stuck with me all year long. There are so many subtle hints and jokes within this film, that I discover something new all the time. It’s a master class in screenwriting and storytelling. I read the screenplay too, which has a completely different ending than either the theatrical or the alternate Read the rest of this entry
In this episode, Allyson Hood and I try our best to convince my cohost Sam Gasch that Goonies is a perfectly fine movie.
Or listen HERE!
The Box would have been way better if Frank Langella wore his Skeletor makeup.
My writing partner and best buddy DJ Dangler and I will be launching a fun little podcast in the next few weeks. While writing, we end up having sometimes silly, sometimes introspective conversations. We decided to record them. In this first one, we talk about our favorite living wrestlers. We hope you like it.
The art is from my friend Joe Apel.
The intro music is from the Mutants.
Sam and I dissect Robocop and figure out how to make the ultimate remake!
My friend, screenwriter/improviser Sam Gasch and I have launched a brand new podcast. The trend in movies these days is that just about every big budget feature is a remake of something else. So every other week we will look at an old movie and figure out what’s the ideal way for Hollywood to remake it.
Here’s a link to the preview episode. Please subscribe in your podcasting catcher of choice and write us a review so we know how to improve the show.
In a city of a thousand planets, surely there has to be something better to watch.
I like Luc Besson. Problably more than I should, considering he’s kind of a creep. Luc Besson is the Woody Allen of France. I also really like weird French and Spanish sci-fi and fantasy. Those can also be kind of creepy by our American standards.
Next week will be the first time in about two years that I’ll be back in Michigan. I miss it a lot. I miss my friends. I miss my family.
I’m incredibly grateful Go Comedy is letting me have a show there on Thursday the 8th. Time is incredibly limited this trip because we’re coming back to wedding plan. This show is a good opportunity to get to see a bunch of friends all at once! So, if you’re going to the show, it will be over with by 9:00, we can all go down the street to a bar afterwards and hang out. What’s that? You didn’t know about this show? Well click HERE for more info. And if you still need tickets to the show, just click HERE.
This year the In Memoriam section of the Oscars is going to be longer than the award ceremony.
I’m writing this shortly after hearing about Carrie Fisher dying. Yeah, I’m a Star Wars fanatic, so of course I dig Carrie Fisher. But to me, she was something more. When I found out that she was a script doctor and wrote screenplays, that was the first time I really considered screenwriting as a cool endeavor. She was sharp and funny.
So that’s why I’m here in Hollywood. I want to write. I want to be like Carrie Fisher and be known for both my writing and my personality. She was amazing, guys. Yeah, she was also bat shit crazy, but aren’t we all?
Here is a more in depth look at my favorite films of 2016. I’ll steer clear of spoilers.
Starting with a cheat…
Here’s what’s going on…all in one convenient place!
I write best with a partner. I’ve tried a few different ones over the years before finding one who I really click with. And I found him completely by accident.
The hardest thing I found about writing with a partner is that one person is always going to be more motivated than the other. Some days you may be the motivated one, while other days it may be them. No relationship is truly 50/50 all the time.
Whenever I write something, I send it out to a bunch of people to get feedback. Very few people actually ever get back to me. DJ Dangler always does. And when he does, he’s thorough. The first thing I remember critiquing was a spec script I wrote for Bob’s Burgers. We went through it line by line picking apart dialogue that didn’t feel true to characters and moments that didn’t feel like the show. It was incredibly helpful.